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Anatomy of a Hit

Anatomy of a Hit
Hit song analysis
View all Anatomy of a Hit Articles

Coming Soon:
Beyonce—Irreplaceable
Corrine Bailey Rae—Put Your Records On
KT Tunstall—Suddenly I See

Nelly Furtado–Promiscuous
Ne-Yo—So Sick
James Blunt—You're Beautiful
Rascal Flatts–What Hurts The Most
Eminem—Lose Yourself

Norah Jones —Don't Know Why
Avril Lavigne —Complicated
Alan Jackson—Where Were You When The World Stopped Turning?

Pink—Get the Party Started
Craig David—Fill Me In
Alicia Keys—Fallin'
Train—Drops of Jupiter
Janet Jackson—All For You
Dido—Thank You
Sisqo—Incomplete
Macy Grey—I Try
Faith Hill—Breathe
Destiny's Child—Say My Name
Santana/Rob Thomas—Smooth
Ricky Martin—La Vida Loca

More Anatomy of a Hit Articles...

Classic Songcraft Articles
Reprints from Cat's columns in The Music Connection and LASS/NAS Musepaper

Outside vs. Inside Songwriting
Cat describes the change of opportunities in today's songwriting scene from Outside Songwriting for established artists to Inside Songwriting for original acts.

Grabbers and Shakers
Cat lists many of hue characteristics that make a pop song a hit song including what grabs a listener's attention and what keeps an audience involved all the way through to the end.

A Songwriter's New Year's Resolutions
Cat lists some goals and resolves we as songwriters can make to improve our writing and our careers for the coming year.

Other Classic Articles

The Hispanic Invasion
Today's pop scene has much in common with that of the mid-'60s. American pop music is being invaded by foreigners. Only this time the British aren't coming, it's the Hispanics.

1999: A Year of Retro and Recycling
Cat looks at the year 1999 in pop music and saw a return to recordings with older more melodic writing and more romantic dance styles including latin dance styles. Hot and sexy began to replace alienation and rebellion as the millennium turned.

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Drops of Jupiter (Tell Me)
Title
Train
  Artist
Album Drops of Jupiter

Buy this Album

Drops of Jupiter
 
P. Monhan, J. Stafford, R. Hotchkiss, C. Colin, S. Underwood
  Songwriters
 
Brendan O'Brian
  Producers
Play Song Excerpt Help with Real Audio
Concept
Poetic ode to a girl the singer has the hots for.
Lyric

Stream of consciousness lyrics about a girl (Venus) the singer likes in a cosmic abstract way. No real story is related but the images are fun in a playful, introspective and poetic manner. References to stars, planets and constellations are numerous.

Groove
This appealing piano based track is built on a halftime rock ballad feel a la Elton John except the 16th note syncopated patterns are swung in a subtle hip-hop manner. When the full band comes in on the chorus along with the excellent string arrangement the groove is both contemporary and reminiscent at once. The singer phrases in the same swung 16th feel.
Melody

The melody is very uniquely constructed with long lines in the verse contrasting with shorter hookier phrases in the chorus. In betweenverse 2 and chorus two is sectioned an effective driving and ramping pre-chorus. The verse allows enough space to give the instrumental accompaniment room for expression which then explodes in the transitions. Also there is an effective change of melodic reigister as the chorus is several notes higher than the verse.

Harmony
Harmonically, the chords are triads with an occasional added second for color. In addition to the basic I, IV and V in the verse the use of the major II chord out of its usual sequence gives a unique harmonic sound. In the bridge a modal bVII chord expands the harmony even further.
Structure
Signature Verse Chorus Signature (more produced) Verse Prehook Chorus Instrumental Transition Bridge Chorus Chorus Repetitive Cycle (Jam)
Signature
An Elton Johnish piano figure sets this recording apart from the others.
Production
One of the year's best produced recordings. The song, the instrumentation, the groove, the vocal preformance, everything about this cut is fresh and vibrant. Paul Buckmaster's string arrangements make it all work. It's got Grammy written all over it.
Predicted Longevity
Although this is not a classic song in a melody and lyrics sort of way the excellence of the recording itself and its mixture of old and new elements should give it a long life. I expect to hear this played often several years from now.

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